米歇尔·布(bù(🔛) )朗(🐘)([累得(dé )要命])自编(💫)自导的(de )新(🗼)片[看(kàn )我们如(🏧)何(🐗)跳舞(wǔ )](Voyez comme on danse，暂译)在(zài )巴黎开(🔄)拍(🎐)。该(gāi )片卡司包(bā(💢)o )括夏洛特(🦓)·兰(lán )普林、(🐰)嘉(🐌)(jiā )莲·维雅([贝利(lì )叶一家(👯)])、卡洛儿·布盖(🦌)(gài )([不要来(🥏)打(dǎ )扰我])、让(🌔)-保(🥓)罗·卢弗([领(lǐng )奖(🚣)台])等(děng )。影(📍)片情节目前(qiá(🔈)n )处(👥)于保(bǎo )密阶段，巴黎为(wé(🐔)i )其(🆓)主要(yào )拍摄地，预(🛺)计10月(yuè )28日(🔖)杀青(qīng )。
Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
明朝年(🥪)间(🥥)，兵(bīng )部尚书(shū )麾(🙎)下的百户(📞)段天(tiān )昊为查(💊)(chá(🚤) )出倭寇与阉党勾(gōu )结销(🎃)赃(🧟)(zāng )的证据，加入(rù(🗡) )锦衣卫，几(🔹)年来一直潜(qiá(🦇)n )藏(🥪)在太监(jiān )总管张(💕)公公身(shē(🧟)n )边。就在(zài )他终于(🍢)得到线(xià(🚀)n )索，准备(bèi )与多(🍓)年(✊)(nián )兄弟总旗苏子(👭)峪(yù )里应(🏰)外(wài )合抓住犯(🕺)人(👬)时，兵部尚(shàng )书刘大人得到(🍄)阉(yān )党利用(yòng )倭(🔋)寇陷害福(👋)州知(zhī )府的线(🍗)(xià(🌤)n )报，并派出段天(tiā(🆚)n )昊的弟(dì(🎌) )弟段天麟到倭(🤾)寇(💩)(kòu )处卧底(dǐ )。段天昊与苏(👺)子(📲)(zǐ )峪只得(dé )放弃(💜)到手的功(🅾)劳(láo )，前往(wǎng )福(💾)州(🖌)，却不曾(céng )料到竟(📡)是(shì )一场(⛩)有去无回(huí )的凶(⛲)险之(zhī )旅。
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
阿黛尔和(hé )她(⤵)的(💕)母亲(qīn )孔查生活(🌦)在城(chéng )郊(🎮)的一个(gè )贫民(🥘)窟(👫)(kū )里。孔查的丈夫(fū )是个可(🔗)(kě )恶的暴徒，他使(🚜)(shǐ )母女俩(🏈)(liǎng )长期生活在(💪)暴(🤵)力(lì )和虐待(dài )之(🐑)中。对此忍(🥢)无(wú )可忍的(de )孔(🍨)查(👄)决定不顾一(yī )切风险(xiǎ(😥)n )，偷(🚣)走一大笔钱(qián )，并(🗡)带(dài )着女(⬛)儿阿黛尔逃(tá(🚵)o )离(🏰)。不(bú )幸的是，她们(🚏)在出逃中(🧚)(zhōng )被发现了。在(zà(🕺)i )追捕过程(chéng )中，孔查却意(🍶)(yì(🧗) )外地驾车(chē )撞死(🐲)了丈夫…(📟)…这场逃(táo )离(🕘)注(🐮)定是一次(cì )冒险，而(ér )母女(🎆)俩(liǎng )竭尽全力，才(🕢)能(néng )挣脱(🐂)一(yī )直禁锢她(🍱)们(♋)的牢(láo )笼。在(zài )这(🎒)段跨越生(🈁)命的(de )寓言中(zhō(🉑)ng )，力(🚝)量、困难、爱的希(xī )望(🌩)、(🕶)机会和死亡(wáng )如(🌒)影随(suí )形(🔷)。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
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